Custom Fonts
Custom fonts from TypeTogether can reduce licensing costs, streamline your brand, and give your business the edge it needs in the age of modern product and identity. TypeTogether creates innovative, stylish fonts for clients ranging in size from regional brands to multi-national corporations.
Latest Projects
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Read moreGlobal markets and necessary language support, together with technological developments, are now more than ever a driving force behind the creation of new fonts.

What our collaborators say
The book typographer has the job of erecting a window between the reader inside the room and that landscape which is the author's words. He may put up a stained-glass window of marvellous beauty, but a failure as a window; that is, he may use some rich, superb type like text gothic that is something to be looked at, not through. Or he may work in what I call transparent or invisible typography.
The microstructure in a book determines the navigation for the reader and it has to be very clear. If the distinction between headlines and subheadings is not clear enough, the reader may lose their way through the text.

Global markets and necessary language support, together with technological developments, are now more than ever a driving force behind the creation of new fonts.

The great myth of desktop publishing is that what you see on screen is what you will get on paper. This is a lie—a beautiful, seductive, expensive lie. Your monitor lies about color. Your software lies about fonts. Your PDF viewer lies about bleeds. Preflight is the process of catching the lies before they become reality.
Every language is a vast, ancient, and intricate system of signs whose secret purpose is to capture the infinite shadings of human experience. He who learns a new language acquires a new soul, for he discovers that the world can be named in ways he never suspected.
The difference between a good typeface and a great one is the difference between a decent meal and a memorable feast for the eyes.
Type quality is invisible when it’s good, and painfully obvious when it’s bad. A good font doesn’t shout; it whispers clarity.
Neutrality is overrated.

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